WIP IT GOOD 🎈
WIP IT GOOD is a a brand new theatre collective that champions feminist theatre.
Collective Members
Liberty Martin – Liberty writes scripts for TV, film and animation – makes theatre – and leads creative workshops.
With a life-long commitment to fiction and non-fiction storytelling, Liberty works across mediums with authenticity, clarity and joy. As a writer and performer, Liberty regularly makes post-dramatic, nonfiction theatre as a member of Degenerate Fox, the London Neo-Futurists. Liberty has credits in TV (Red Rock, Father Brown) and recently created a solo show (Stag King) and wrote the dramatic text for physical theatre company the Outbound Project, exploring the diagnosis of ‘hysteria’ through physical theatre, drag and magic (M.E.H). As a theatremaker Liberty has been called ‘gloriously silly’, ‘stimulating’ and ‘a little unhinged’.
Holly Delefortrie – Holly is an interactive theatre maker creating audience‐participatory work that brings people together through play. Holly’s shows place audiences at the heart of the performance, blending clowning, confessional storytelling and interactive games to spark bold, uplifting conversations around social stigmas.
As a solo artist, she creates comedies celebrating vulnerability and the female experience, performing at festivals and venues including Edinburgh Fringe (ZOO), Brighton Fringe, VAULT Festival and CPT’s SPRINT Festival, with shows Sex‐Ed Revisited and I’ll Be Your Baby Tonight.
Holly has over a decade of community outreach experience with vulnerable adults and children around the UK; working with Told By An Idiot, Hubbub, Open Theatre, Polka, Little Angel, Angel Shed, Tramshed and Talitha Arts.
Jessica Munna – Jessica is an Offie-nominated actor, writer, maker and arts educator working across live performance, audio and screen. Jessica’s original work contrasts sincerity with the absurdity of the modern world, exploring power, death and female identity.
Jessica is an alumnus of Degenerate Fox (OffCom Award-winning company), and has developed new work through schemes including Omnibus Theatre’s Engine Room (2024), developing MalContent — a celebratory dance into fascism via cancel culture and conspiracy theories. In 2022, Jessica created a 20-minute WIP, What A Drag, as part of a Barrel Organ commission in partnership with Bradford Live. Jessica’s solo show Pieces Of Us (2023) was Offie-nominated and received critical acclaim, described as “heartfelt & well-crafted” (The Scotsman), with Broadway Baby noting: “This piece of theatre hangs around under your fingernails long after you’ve left the theatre.” She has also appeared in TV, short films, and original theatre, most recently Distant Memories Of The Near Future (Arcola Theatre, 2024).